Read Casino Royale (1967) reviews from parents on Common Sense Media. Become a member to write your own review. Casino Royale (United Kingdom, 1967) A movie review by James Berardinelli The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. Casino Royale is directed by Martin Campbell and is the first Bond film starring Daniel Craig as the infamous agent. A new 00 agent for MI6, Bond is assigned with incapacitating a terrorist (Mads. Buy movie tickets in advance, find movie times, watch trailers, read movie reviews, and more at Fandango. GOING BACK TO MOVIE THEATERS Read More. Enter your location to see which movie theaters are playing Casino Royale (1967) near you. ENTER CITY, STATE OR.
This is possibly the most indulgent film ever made. Anything goes. Consistency and planning must have seemed the merest whimsy. One imagines the directors (there were five, all working independently) waking in the morning and wondering what they'd shoot today. How could they lose? They had bundles of money, because this film was blessed with the magic name of James Bond.
Perhaps that was the problem. When Charles Feldman bought the screen rights for 'Casino Royale' from Ian Fleming back in 1953, nobody had heard of James Bond, or Sean Connery for that matter. But by the time Feldman got around to making the movie, Connery was firmly fixed in the public imagination as the redoubtable 007. What to do?
Feldman apparently decided to throw all sanity overboard instead of one Bond, he determined to have five or six. The senior Bond is Sir James Bond (David Niven). He is called out of retirement to meet a terrible threat by SMERSH.
Unfortunately, the threat is never explained. Other Bonds are created on the spot. Peter Sellers is the baccarat-playing Bond. He meets Le Chiffre (Orson Welles) in a baccarat game. Why? The movie doesn't say.
The five directors were given instructions given only for their own segments, according to the publicity, and none knew what the other four were doing. This is painfully apparent.
There are some nice touches, of course. Woody Allen rarely fails to be funny, and the massive presence of Welles makes one wish Le Chiffre had been handled seriously.
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But the good things are lost, too often, in the frantic scurrying back and forth before the cameras. The steady hand of Terence Young, who made the original Bond films credible despite their gimmicks, is notably lacking here.
I suppose a film this chaotic was inevitable. There has been a blight of these unorganized comedies, usually featuring Sellers, Allen, and-or Jonathan Winters, in which the idea is to prove how zany and clever everyone is when he throws away the script and goes nuts in front of the camera.
In comedy, however, understatement is almost always better than excess.
Sellers was the funniest comedian in the movies when he was making those lightly directed low-budget pictures like 'I'm All Right, Jack.' Now he is simply self-infatuated and wearisome. And so are the movies he graces.
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One wishes Charlie Feldman had sat down one bright morning, early in the history of this film, and announced that everyone simply had top get organized.
